SIGNED, SEALED AND DELIVERED — Sports Documentary Cinematography
WHIP CREAM — TV Series Cinematography
LAND OF THORNS — Documentary Cinematography
1994 — TV Movie Cinematography
PADRE PIO — Award-Winning Documentary
RISE OF ONLYFANS — Documentary Editing
FIGHT FOR INFLUENCE — Sports Documentary
Skypan Pictures

Documentary • Sports

SIGNED, SEALED AND DELIVERED

Director: Giancarlo Mirabella

Skypan Pictures: Cinematography, Editing

Streaming on Prime VideoStreaming on Apple TV

Documentaries. Drama. Comedy.

WHIP CREAM Poster

TV SERIES • COMEDY2025 • 30m

WHIP CREAM

IMDB

Skypan Pictures: Cinematography

A pastry chef fleeing the Neapolitan mafia relocates to Toronto's Little India to protect his family, but old vendettas and cultural clashes threaten to destroy their fresh start.

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Shooting an Epic: What The Odyssey's Cinematography Teaches Us

INDUSTRY INSIGHTS

Shooting an Epic: What The Odyssey's Cinematography Teaches Us

Hoyte van Hoytema shot Christopher Nolan's The Odyssey across six countries in 91 days — real locations, portable LED rigs, firelight color temperature. Here's what a $160M epic can teach every cinematographer, no matter the budget.

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1994 Poster

TV MOVIE • DRAMA2024

1994

IMDB

Skypan Pictures: Cinematography, Post-Production

After Baggio's devastating 1994 World Cup miss, a man trapped in nostalgia must confront his fear of growing up or risk losing the life he's always dreamed of.

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1994 Screenshot 1
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From PA to DP: My 12-Year Journey in Film Production

BEHIND THE LENS

From PA to DP: My 12-Year Journey in Film Production

I started as a production assistant carrying C-stands. Twelve years later, I'm a CSC Associate cinematographer running my own production company in Montreal. Here's the real story of how it happened — the grind, the breaks, and the lessons along the way.

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PADRE PIO Poster

DOCUMENTARY2022

PADRE PIO

IMDB

Skypan Pictures: Cinematography, Original Score

15 wins & 2 nominations

An investigative documentary that explores the life of Padre Pio, the Italian mystic whose stigmata, miracles, and rise to modern sainthood captivated the world.

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Why Owning Your Gear Matters in Film Production

GEAR & TECHNOLOGY

Why Owning Your Gear Matters in Film Production

Most production companies rent. We own. Here's why that matters for your budget, your timeline, and the quality of your film — and why I made the decision to invest in a full cinema package.

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LAND OF THORNS Poster

DOCUMENTARY2024 • 2h 3m

LAND OF THORNS

IMDB

Skypan Pictures: Cinematography, Original Score

7 wins & 2 nominations

In the aftermath of WWII's Battle of Cassino, Italian women confront the untold horrors of wartime violation by soldiers meant to liberate them.

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LAND OF THORNS Screenshot 1
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Shooting PADRE PIO: Cinematography Across 10 Italian Towns

BEHIND THE LENS

Shooting PADRE PIO: Cinematography Across 10 Italian Towns

We traveled to Italy with a two-man crew and a historian — San Giovanni Rotondo, Pietrelcina, Sant'Angelo, Panni. Guided by Capuchin friars into the monastery where Padre Pio lived for 50 years. Here's what it took to shoot an award-winning documentary in thousand-year-old towns with a Sony A7S II, Canon glass, and a gimbal on my back.

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SIGNED, SEALED AND DELIVERED Poster

DOCUMENTARY • SPORTS2026

SIGNED, SEALED AND DELIVERED

IMDB

Skypan Pictures: Cinematography, Post-Production

What was once a childhood hobby has evolved into a billion-dollar global marketplace. Signed, Sealed and Delivered takes audiences inside the high-stakes world of sports collectibles.

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WHO WE ARE

Twelve Years. One Camera.

I started as a production assistant. Then equipment assistant, gaffer assistant, gaffer. Then camera assistant on documentaries and commercials — absorbing everything I could about how films get made. When I opened Skypan Pictures, I had a camera, some lights, and a reputation for showing up.

Other production companies started hiring me to shoot their films. Word spread. The company grew from cinematography-only into full-service production — editing, original scoring, distribution. We own all our gear. We don't rent. Every project gets cinema cameras, professional lighting, and an in-house post team.

Twelve years later, I'm a CSC Associate cinematographer. Our documentaries have won 22+ awards. Our work streams on Prime Video, Tubi, and Apple TV. And I still approach every project the same way I did on day one — show up prepared, shoot like it matters, and never let the gear be the reason a shot fails.

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Production house, director, or studio — we're ready. Call or email to discuss your next film, series, or commercial.